In Focus is a contemporary history publication that boosts reading comprehension through clear typography and proven literary practices. By using ample white space and familiar, readable typefaces to reduce cognitive load, it helps readers absorb and retain information more easily.

While at Durham Studio, I created a range of deliverables for Enable Injections, including magazine ads and large-format graphics for conference events. I maintained the existing brand identity while introducing unique assets that expanded and supported the system.

While at A LINE Studio, I helped develop brand assets for Rotate, a cybersecurity company. I specifically contributed motion assets, creating dynamic posters that move, flip, and reinforce the brand’s identity.

Credits: Maor Ofek, Tess Lenk, Mackenzie Pringle, Michael Meyer, James Trump, Nick Monkhouse, & Hongjin Lan.

Coax is an interactive lamp designed in collaboration with industrial designers Sarah Sheerajin and Ian Wolfe, allowing users to customize their lighting experience. We designed and manufactured 15 lamps for sale. I was responsible for the branding, package design, presentations, moodboards, and also assisted with the manufacturing process.

While at Order, I developed the identity and social assets for a Calvin Harris concert at Ushuaïa Ibiza. The campaign is energetic and bold, paired with simple typography to create a balanced and compelling visual system. This is not the final client deliverable.

Verre is a simple identity focused on clean and elegant design. It highlights clarity, restraint, and thoughtful choices. Clean type and neutral colors create a calm, timeless look.

While at Durham Studio, I was given the opportunity to create a concept for Wenzel Distillery’s new gin. While other designers explored directions closer to the brand’s current look and feel, I developed a more exploratory, farther-out option that pushed the visual language in a new direction. This is not the final client deliverable.